Vermeer in Fragments

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A near-perfect square of considered assemblage, Vermeer in Fragments layers ceramic, linen, and watercolor beneath a hand-painted surface to achieve something between painting and sculptural relief — an object as much felt as seen. The silver finish threads through the composition with the quiet authority of a drawing's ruled edge, lending luminosity without announcing itself. At just over thirty-nine inches in each direction, the work occupies a wall the way a well-chosen piece of furniture occupies a room: with presence, proportion, and complete inevitability.