Tony Fey's He Waits in Time

A large-scale canvas of commanding presence, *He Waits in Time* by John Richard arrests the eye with the depth and luminosity that only hand-applied acrylic on a composite-backed frame can achieve. At just over five feet tall, the work carries the weight of a considered statement piece — the kind of object that organizes a room around itself rather than yielding to it. The framed composition is finished with the care of an atelier, each layer of medium building toward a surface that reads differently in shifting light.