Mary Pratt's The Red Temple

A luminous study in geometry and warmth, *The Red Temple* arrives from John Richard as a work that commands its wall with quiet authority — the gold leaf finish casting a burnished glow that shifts with the light of any room it inhabits. Rendered on paper and presented beneath glass within a wooden frame, the piece measures a nearly perfect square at just under thirty-two inches, a proportion that feels neither incidental nor arbitrary but deeply considered. It is the kind of work that anchors a collected interior, lending the gravitas of an object that has always belonged exactly where it is placed.